Screen Print Halftone
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Dot shape lab · every pattern tied to a mesh and LPI

Halftone pattern generator for screen print films

Pick a dot shape from the gallery and watch the same tone ramp, the loupe and the shirt redraw at your real LPI and angle. A halftone dot generator for screen printing, not a wallpaper filter.

Your artwork or a worked example — load one, then change anything

Design file streetwear-gradient-logo

Garment proof

Print simulation

Mesh loupe

156T mesh · 64 μm thread

Free · made in your browser

Pro film pack · screen-ready files

Early Launch Price

Recommended 35 LPI · Mesh ÷ 4.5 = 34.7

Emulsion and print size

Dot-shape gallery · same 0–100% ramp, current LPI and angle

WASH-OUT SAFE Min Dot Diameter: 146 μm Limit 96 μm = 1.5 × 64 μm thread

Mesh
Screen Mesh: 156T
Output
Output LPI: 35 LPI @ 22.5°
Thread
Thread: 64 μm · Opening: 99 μm
Emulsion
Emulsion: Dual-cure
Risk
Risk zones: 0 cells
Vector nodes
Vector Nodes: 0 dots
Knock-out
Knocked out: 0% of artwork
Output size
11.00 × 13.75 in · 6600 × 8250 px @ 600 DPI

600 DPI 1-Bit · Grey pixels: 0Vector SVG ready

Free vs Pro, file by file

Proof PNG Free
Opaque shirt mockup up to 1000 px, stamped CLIENT MOCKUP PROOF ONLY — NOT FOR SCREEN EXPOSURE
Settings TXT Free
Mesh, LPI, angle, gain and clips to pin next to the press
1:1 Film PDF Pro
One page per plate with crosshairs, plate header and a 10-step strip
600 DPI PNGs Pro
Transparent 1-bit films with 0 grey edge pixels
Vector SVG Pro
Plate-grouped circle, path and polygon dots at print size

Plans and refunds

Settings sheet preview
Settings appear here.

How it works

From artwork to film in four steps

  1. 01

    Start from a gradient.

    The Streetwear Gradient Brand Logo carries a fade to 1% and a 0–100% ramp, so every shape shows its highlights and shadows.

  2. 02

    Click a shape swatch.

    Round, elliptical, Euclidean, line or diamond. The swatch sets the dot shape and both canvases redraw at once.

  3. 03

    Match the angle.

    Elliptical and line screens want 22.5°; round and diamond usually sit at 45°. Use the angle chips in step 2.

  4. 04

    Check the loupe.

    Zoom to 800% on the smallest dot to see how each shape sits across the mesh threads before you export the film.

Shape behavior

When each dot shape holds on press

All five shapes print the same tone; they differ in where neighboring dots meet, and that is where prints band or plug.

Dot shapes compared (film coverage, before dot gain)
ShapeMidtone behaviorBest forAngle
RoundDots touch all four neighbors at 79%Logos, highlights, everyday single color45°
EllipticalChains form near 47%, gaps close near 94%Portraits, skin, soft gradients22.5°
EuclideanCheckerboard exactly at 50%Photographic midtones45°
LineNo dots; line width carries the toneVintage, engraved, coarse mesh22.5°
DiamondCorners meet at 50%, holes aboveDTF breathable fills, bold graphics45°
10%20%30%40%50%60%70%80%90% Round Elliptical Euclidean Line Diamond
Each square is two by two cells at the same pitch. Round dots touch at 79%, elliptical chains join near 47%, Euclidean makes a checkerboard at 50%, diamonds meet at their corners at 50%, and line screens never form dots at all.

Line screens

Why line screens suit vintage prints

A line screen trades dot size for line width, which changes how the stencil holds.

On a 110 or 125 mesh a 30 LPI line screen holds better than round dots at the same LPI, because a line bridges many threads along its length even where it is thin. The print reads as engraving or old newspaper. Keep the angle at 22.5° so the lines cross the threads.

The catch is the highlights. A 5% line at 30 LPI is only about 42 μm wide, close to a single 70 μm thread, so set the highlight clip at 8–10% for line screens on coarse mesh and let the shirt carry the lightest tones.

Pitch

Pattern pitch and LPI

LPI is the number of cells per inch along the screen angle. The cell pitch is 25.4 ÷ LPI millimeters.

Cell pitch and dot density by LPI
LPICell pitchCells per in²Cells in a 10 × 12 in print
251.016 mm62575,000
350.726 mm1,225147,000
450.564 mm2,025243,000
500.508 mm2,500300,000
550.462 mm3,025363,000
650.391 mm4,225507,000

The Vector Nodes readout counts only cells that actually carry a dot, so a logo with lots of empty space has far fewer nodes than the full rectangle in this table.

Where it fits

Jobs this page is built for

Shop questions

Frequently asked questions

Which dot shape gives the smoothest gradient?

Elliptical. Its dots first join into chains along one axis near 47%, and the gaps between the chains only close near 94%, so the midtone jump is spread out instead of happening all at once. Round dots touch all four neighbors together at 79%, which can show a band.

When should I use a Euclidean dot?

When the art has a lot of 40–60% midtones. Euclidean dots are round in the highlights, square at exactly 50% (a checkerboard) and inverted round in the shadows, so the midtone transition is symmetrical.

Is a line screen still a halftone?

Yes. The line width carries the tone instead of the dot size. A 30% tone is a line 30% of the cell pitch wide. It holds well on coarse mesh and suits engraved or vintage looks, but avoid running the lines parallel to the threads.

Why do diamonds work for DTF?

Above 50% a diamond dot leaves a clean diamond-shaped hole at each cell corner. In DTF breathable mode every solid cell is capped at 80%, so those holes stay open and the transfer stays soft.

Does the pattern change with LPI?

The shape stays the same, but the cell pitch is 25.4 ÷ LPI millimeters, so the dots shrink as LPI rises. At 50 LPI a cell is 0.508 mm wide; at 25 LPI it is 1.016 mm. The swatches redraw at the LPI in step 1.

Can I make a decorative pop-art background?

That is not what this tool is for. Every pattern here is screened at a real LPI and checked against the mesh thread, so it prints. For pure decoration with huge dots, a general image editor is the better fit.

What angle should line screens use?

Use 22.5° or 67.5°. At 0° or 90° the lines run along the warp or weft threads and either sit on them or fall between them, which makes the print stripe.

Do different shapes need different dot gain?

Slightly. Elliptical and Euclidean dots have more edge per area once they join, so they can gain a little more in the midtones. Keep the same compensation, print the step wedge, and adjust by 2–3%.

Same engine, other jobs

The rest of the halftone toolkit